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The Disney Avenue Podcast returns with a fantastic interview with Walt Disney Imagineering's original “designing woman” Alice Davis. Married to Disney Legend Marc Davis, she enjoyed a fashionable Disney career of her own, designing and dressing animated figures for such beloved Disneyland attractions as it’s a small world and Pirates of the Caribbean.

One day, she received a call from her former art instructor and future husband, Marc. He needed a costume designed and created for Helene Stanley to wear for some live-action reference footage being filmed to inspire his animation of the lead character Briar Rose in Sleeping Beauty. That job led Alice to design costumes for Disney’s live-action motion picture Toby Tyler.

In 1963, Walt Disney recruited Alice to contribute her skill to the attraction it’s a small world for the 1964-65 New York World’s Fair. Collaborating with art designer and Disney Legend Mary Blair, Alice researched, designed, and supervised the creation of more than 150 highly detailed costumes for the Audio-Animatronics children of the world.

During this time, Alice also formulated costuming procedures, set up a manufacturing base, and developed quality control refurbishing techniques, which established the standards for three-dimensional characters in rides and shows created by WDI.

In 1965, she translated the pirates’ attire from Marc’s original drawings of the shiver-me-timbers cast and crew into clothing designs and patterns for all of the costumes featured in Pirates of the Caribbean. Two years later, when the attraction opened at Disneyland, guests were dazzled by the animated figures and their colorful, textured pirate-wear. Later, Alice contributed to General Electric’s Carousel of Progress and the Flight to the Moon attractions.

Married in June 1956, Alice and Marc enjoyed a Disney fairy-tale-romance-come-true for 44 years until Marc’s death in 2000. Alice has continued to consult for the Company, and remains a frequent face at Disneyland events. She was honored with a window on Main Street, U.S.A. at Disneyland—next to her husband’s window—on May 10, 2012.

The Disney Avenue Podcast would like to thank Geren Piltz for his contributions to this show!

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On this episode of the Disney Avenue Podcast, host Keith Michael Mahne and Dusty Sage of MiceChat.com team up for another amazing interview with the one and only Rolly Crump! Words may not fully describe this man, but one thing is for certain, he was a true “original,” even among Imagineers as Rolly drew forth genius in others.

Born Roland Fargo Crump on February 27, 1930, in Alhambra, California, Rolly took a pay cut as a “dipper” in a ceramic factory to join The Walt Disney Studios in 1952. To help pay bills, he built sewer manholes on weekends. He served as an in-between artist and, later, assistant animator, contributing to Peter Pan, Lady and the Tramp, Sleeping Beauty, and others.

In 1959, he joined show design at WED Enterprises, now known as Walt Disney Imagineering. There, he became one of Walt’s key designers for some of Disneyland’s groundbreaking new attractions and shops, including the Haunted Mansion, Enchanted Tiki Room, and Adventureland Bazaar.

Rolly served as a key designer on the Disney attractions featured at the 1964-65 New York World’s Fair, including it’s a small world, for which he designed the Tower of the Four Winds marquee. When the attraction moved to Disneyland in 1966, Rolly designed the larger-than-life animated clock at its entrance, which sends puppet children on parade with each quarter-hour gong.

After contributing to the initial design of the Magic Kingdom at Walt Disney World in Florida, and developing story and set designs for NBC’s Disney on Parade in 1970, Rolly left the Company to consult on projects including Busch Gardens in Florida and California, the ABC Wildlife Preserve in Maryland, and Ringling Brothers & Barnum and Bailey Circus World in Florida, among others.

He returned in 1976 to contribute to EPCOT Center, serving as project designer for The Land and the Wonders of Life pavilions. He also participated in master planning for an expansion of Disneyland until 1981, when he again departed to lead design on a proposed Cousteau Ocean Center in Norfolk, Virginia, and to launch his own firm, the Mariposa Design Group, developing an array of themed projects around the world, including an international celebration for the country of Oman.

In 1992, Rolly returned to Imagineering as executive designer, redesigning and refurbishing The Land and Innoventions at Epcot Center. Rolly “retired” from The Walt Disney Company in 1996, but continued to work on a number of creative projects. He was inducted as a Disney Legend in 2004 and released his autobiography, It’s Kind of a Cute Story, in 2012.

Get ready for a truly amazing show... you just might hear a "cute story" or two...

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The Disney Avenue Podcast would like to thank our producer Geren Piltz and our graphic designer Brian Vermillion for their contributions to this show!